Dominick and the Dragon is the first book by Anne K. Edwards in a
series of their adventures. Anne writes in other genres, writing books as the
ideas occur or are provided by her muse named Swamp Thingy. Anne lives on a
small farm with her husband and a bunch of demanding felines. Each one thinks she is his/her personal
property as in ‘slave’. Learning to
speak cat isn’t easy but she has managed.
Interview:
Tell us about your book! What is it about and what inspired
you to write it?
Dominick and the Dragon is the story of a little boy’s
encounter with a hungry dragon and he has to outsmart the dragon to get
home. The inspiration came from the
eternal question ‘What would happen if…?’ The reason for its being written is
to show how a child might be able to solve a problem without an adult telling
him/her what to do.
Tell us about your publishing process. What was it like? Did
you go indie or the traditional way?
I chose the indie route to put this book out though I am
happily published by an Internet small press in the traditional manner also.
This press doesn’t publish children’s books of the type I write. I did
investigate the guidelines for submission of a few presses that accept
submissions of this genre, but they say if a book doesn’t meet their
guidelines, it will automatically be rejected.
That is understandable as most presses want some conformity, but my
stories are not written to those standards. This story is shorter than their
acceptable word length. The whole action takes only a few hours at most. Knowing this, I decided to try indie
publishing. With the knowledgeable
guidance of a dear friend, Dominick and the Dragon slowly found its way to
Amazon Kindle.
How did you choose the title for your book? Did it come to
you right away, before you started writing it, or did it come later?
The title came along with the plot and I never considered
anything else. It may sound strange, but
I usually have the title and ending at the same time I begin to write the
story. Once in a while I find I need to change it because the title is used by
several other authors for their stories.
One can’t copyright a title, but I do try for titles that aren’t used
too much.
Tell us about the cover design process. Did you have a basic
idea of what your book cover would be like?
No. What I have found
is the artists for my books can put my story into pictures much better and that
includes the cover. For this book the
artist choose the places for the pictures, producing much better pictures than
I could suggest. I do have a say for
changes, but don’t try to make many. They
may suggest a cover and usually they are right. I was exceptionally lucky in
the artist who did the artwork for this book.
Who is your cover designer and how did you find him/her?
The artist who did the cover for Dominick and the Dragon is
Lewis Francisco. We met when he stopped by our farm to ask about metal
detecting in our fields. We got to talking about mutual interests and he told
me he was an artist with an interest in doing artwork for a child’s book. I took the opportunity to offer him a copy of
the dragon story that I had written and not found an artist for. The story was stuffed in a drawer and nearly
forgotten. He produced the great artwork you find in the book on first effort.
How was your experience working with the designer?
Great! He is very flexible and as you can see, very talented.
I would love to have him do others, but his work has taken him in a different
direction.
What has been the readers’ response to your cover?
The response has been very favorable. The cover has the two main characters on it
and readers love the artist’s work.
What tips would you give to authors who are looking for a
cover designer?
This is a question with more than one answer. A cover designer considers themselves more
than an artist, I believe. And most
traditional publishers have their own artists they use. Some will give the author a chance for input
and some don’t. But, for the author looking for an artist, I’d recommend they
contact other authors in their genre for recommendations and perhaps tips on
how to go approach an artist they want. Also,
this depends on the author’s budget.
Budget often has a strong influence on what artist one may hire. Remember our books don’t always give back
what is paid out when all the expenses are added up.
Anything else you’d like to say about your book?
Only that I had a lot of fun in writing it and a great deal
of pleasure in seeing it published..
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