Sunday, August 10, 2025

Book Cover Junkie Interviews Memoirist Mary Lawlor

Mary Lawlor is author of Fighter Pilot’s Daughter (Rowman & Littlefield 2013, paper 2015), Public Native America (Rutgers Univ. Press 2006), and Recalling the Wild (Rutgers Univ. Press, 2000). Her short stories and essays have appeared in Big Bridge and Politics/Letters. She studied the American University in Paris and earned a Ph.D. from New York University. She divides her time between an old farmhouse in Easton, Pennsylvania, and a cabin in the mountains of southern Spain.

You can visit her website at https://www.marylawlor.net/ or connect with her on Twitter or Facebook.

Interview:

Tell us about your book! What inspired you to write it?

All my life I’ve wanted to put together the list of places where my family lived and link each one to the issues in the headlines of the time, particularly regarding what the US government was up to in its military movements. We were a Marine Corps, then Army family, and we moved every two years. I went to 14 different schools by the time I was ready for college, and it all felt like a confusing, exciting, bewildering experience. Where are from, people would ask, and I would have to say too much to answer. But where


are your roots, they’d ask, and I was never sure how to answer the question until I was old enough to understand that they were in suburban New Jersey and more distantly, in Ireland. 

By the time I was teaching courses at Muhlenberg College on literature and film of the Cold War, I was thinking seriously of compiling this list and the events of the times into a narrative. My students had so many questions about those times, and though we didn’t talk about my own life in the classroom, they got me thinking about what my family went through and what effects all that moving had on me. I finally sat down and started a draft; and a few years later, there it was, a full manuscript of Fighter Pilot’s Daughter.  

How did you choose the title for your book? Did it come to you right away, before you started writing it, or did it come later? 

The title came later, after I’d written the entire first draft. I had planned on calling it “The Pilot’s House, but my editor at Rowman & Littlefield (now part of Bloomsbury Press), suggested it was too obscure and novelistic-sounding for a memoir. He convinced me to give the book a title that spoke more directly to what it was about. A friend helped me come up with Fighter Pilot’s Daughter, and I used “The Pilot’s House” as the name of the first chapter. 

Tell us about the cover design process. Did you have a basic idea of what your book cover would be like? 

Yes, I thought it would feature a photo of my father climbing into one of his planes or of my parents out together dancing at the Officer’s Club. The graphic designers at the press had the Daughter part of my title in mind and came up with a couple of ideas for me to choose from, both of which included images of my sisters and me. I chose the one with the clouds and the plane and the snapshot of my sisters and me in our fathers helmets at Halloween. I thought it was more appealing than what I’d had in mind and spoke to the larger story of the book quite effectively. 

Who is your cover designer and how did you find him/her?

Rowman & Littlefield had some people on staff in their graphics department who came up with the sketches for the cover. I don’t have their names, but they’re likely working for Bloomsbury Press now, since it has taken over Rowman & Littlefield. 

What has been the readers’ response to your cover?

They’ve loved it! Many people have written to ask which one is me (I’m the one on the far right, with the cape) and expressed their delight with the playfulness of the cover, especially given the seriousness of the family dramas addressed in the book and of the effects of US foreign policy on the moods of our domestic scene. 

What tips would you give to authors who are looking for a cover designer?

I would say listen respectfully to suggestions by the professionals working for your publisher or to independent visual PR specialists. I’d also say you should trust your own ideas but make sure to vet them with others. 

Anything else you’d like to say about your book?

I’d like to say I’m very grateful for all the wonderful responses and feedback I’ve gotten from so many readers of my generation who resonated with the story and saw themselves and their lives reflected in it. I learned a great deal about myself, my parents and sisters, and my relationships with them as I was writing the book. It was a process of self-analysis, in a sense, and became quite an emotional experience. I feel passionately about my feeling regarding the sixties and the Cold War as expressed in the book and still enjoy reading it.

Fighter Pilot’s Daughter is available at Amazon.

Sunday, July 27, 2025

Book Cover Junkie Interviews Urban Fantasy Author Christine Amsden

Christine Amsden is the author of nine award-winning fantasy and science fiction novels, including the Cassie Scot Series.

Speculative fiction is fun, magical, and imaginative but Christine believes great speculative fiction is about real people defining themselves through extraordinary situations. She writes primarily about people, and it is in this way that she strives to make science fiction and fantasy meaningful for everyone.

In addition to writing, Christine is a freelance editor and political activist. Disability advocacy is of particular interest to her; she has a rare genetic eye condition called Stargardt Macular Degeneration and has been legally blind since the age of eighteen. In her free time, she enjoys role playing, board games, and a good cup of tea. She lives in the Kansas City area with her husband and two kids.

Author Links

Website https://christineamsden.com/wordpress/

X http://www.x.com/christineamsden 

Facebook https://www.facebook.com/pages/Christine-Amsden-Author-Page/127673027288664?ref=hl

Interview:

Tell us about your book! What inspired you to write it?

The idea for Knot of Souls came to me in November of 2020, after a particularly divisive election cycle. I wasn’t sitting on the sidelines that year; I worked social media for two state senate campaigns where I got a front-row seat to some of the vilest comments you can imagine. The day after the election, I sat down at my computer and wrote three words:

Write something happy.

Joy got her name before she got a plot! :) 

Ultimately, I chose to write a story about two very different beings forced by circumstance and mutually assured destruction to work together … and come out stronger on the other side. 


How did you choose the title for your book? Did it come to you right away, before you started writing it, or did it come later?

I usually struggle with titles, but this one almost wrote itself. It’s called Knot of Souls, and it’s about two souls trapped together inside one body where they get all tangled up. I played around with “tangle” and a few other synonyms, tried a few word orders, but this one popped early and obviously. It didn't come to me before I began writing, but it was early enough I don't remember calling it anything else. 

Tell us about the cover design process. Did you have a basic idea of what your book cover would be like? 

When I originally conceived the cover for Knot of Souls, I was sure of only one thing: there had to be a knot. A green knot, made up of blue and yellow light (Joy’s soul is bluish-white, Shade’s is yellow-gold). The knot could be Celtic, because that’s recognizable at a glance, but that part isn’t literal. The colors are. 

I worked with BZN Studio Designs, and the artist there helped me conceive the rest. I initially suggested a silhouette to de-emphasize the importance of the body (compared to the souls), but this idea apparently looked too science fiction! (I’m not always convinced by the line between fantasy and science fiction, but I understand the genre expectations.) So, no silhouette. We went through a few different designs before she hit on the idea of obscuring the model’s features by showing only the lower part of her face, chin turned off to the side. The effect was surprising, even dramatic, and it kept the focus precisely where I wanted: on the knot. 

I love the lighting effects most of all, When I look at this cover, I don't see one person at all. I see both Joy and Shade, and I hope after reading the book, others will see it that way, too. 

The skyline at the bottom is Kansas City, where much of the story takes place. 

Who is your cover designer and how did you find him/her?

BZN Studio Designs was a recommendation from a colleague. I used them last year, too, when I got the rights back on The Immortality Virus and needed a new cover. She did a beautiful job on that one, too (https://a.co/d/efZnVdd) and although it's a very different cover, I also loved the lighting effects there. It's why I went back. 

What has been the readers’ response to your cover?

Overwhelmingly positive! Which is especially gratifying because this is the first cover I commissioned on my own, without the help of a publisher. 

What tips would you give to authors who are looking for a cover designer?

Look at covers. Lots of covers. Look at the cover artist's portfolio, too, and make sure you like their work, then tell them (with examples) what kinds of things you're looking for. Communication is the key to getting what you want. 

Anything else you’d like to say about your book?

Just that if you enjoyed my Cassie Scot books, I think you'll like this, too. It's got all the magic, mystery, and magical family drama you've come to expect from me, plus a wonderful buddy love at its core. 

Thanks for having me!

Knot of Souls is available at Amazon. 



Monday, July 14, 2025

Book Cover Junkie Interviews Romance Author Richard I. Levine

Richard I Levine is a native New Yorker raised in the shadows of Yankee Stadium. After dabbling in several occupations and a one-year coast-to-coast wanderlust trip, This one-time auxiliary police officer, volunteer fireman, bartender, and store manager returned to school to become a chiropractor.

A twenty-five-year cancer survivor, he’s a strong advocate for the natural healing arts. In 2006 he wrote, produced, and was on-air personality of The Dr. Rich Levine Show on Seattle’s KKNW 1150AM and after a twenty-five-year chiropractic practice in Bellevue, Washington, he closed up shop at the end of 2016 and moved to Oahu to pursue a dream of acting and being on Hawaii 5-O.

While briefly working as a ghostwriter/community liaison for a Honolulu City Councilmember, a Hawaii State Senator, and volunteering as an advisory board member of USVETS Barbers Point, he appeared as a background actor in over twenty-seven 5-Os, Magnum P.I.s, NCIS-Hawaii, and several Hallmark movies. In 2020, he had a co-star role in the third season episode of Magnum PI called “Easy Money.”

While he no longer lives in Hawaii, he says he will always cherish and be grateful for those seven years and all the wonderful people he’s met. His 5th novel, To Catch the Setting Sun, was inspired by his time in Hawaii.

Like Driftwood on the Salish Sea is Levine’s first foray into the romance genre.

Website & Social Media:

Website http://www.docrichlevine.com  

X https://www.twitter.com/Your_In8_Power 

Facebook https://www.facebook.com/RichardLevineAuthor/ 

Instagram https://www.instagram.com/rilevinedc 

Interview:

Tell us about your book! What inspired you to write it? 

As with my other books, music has always been the trigger that sets the wheels in motion. It’s not just any


music mind you, but certain songs played in just the right way--tempo, key, volume, types of instruments--that have instantaneously given birth to a story, its characters, relationships, locations, etc. For me, the right kind of music simultaneously creates a feeling and a picture that resonates. It doesn’t happen all the time, but when it does, I know I have my next novel. With Like Driftwood On The Salish Sea there were a couple of orchestrated pieces from a movie soundtrack that gave birth to Mitch, Jess and the Rockwell-esque smalltown in the Pacific Northwest where they lived.

How did you choose the title for your book? Did it come to you right away, before you started writing it, or did it come later?

The original title of the book was completely different, and I knew from the outset that I wasn’t going to keep it. It was a placeholder until the title came to me. Like Driftwood On The Salish Sea was something I hadn’t searched for. It came organically during the writing process, and when it popped into my head, it simply felt right.

Tell us about the cover design process. Did you have a basic idea of what your book cover would be like? 

The idea for the cover came months after the title had come to me. I did have a basic idea of what I wanted it to look like, so every now and again I would search the royalty-free photo offerings on the internet. There had been a number of pictures that came close but didn’t quite do it for me until I came across the eventual winner. 

Who is your cover designer and how did you find him/her?

Of the six books I’ve written and published, I designed five covers. But they were self-published. Only one, the fifth one, was published by a small boutique publisher and as such, they did not allow me to participate in the cover design. Needless to say, I wasn’t happy about that. 

What has been the readers’ response to your cover?

I’ve had a lot of positive feedback

What tips would you give to authors who are looking for a cover designer?

Since I’m the type of person who likes to have total control over my work, it’s hard for me to provide tips when it comes to outsourcing for this portion of the project. I know there are many talented designers out there and I don’t want to take away anything from the folks who are artistic, gifted, have a vision, and who make a living creating them. All I can say to other authors is to do your research, which is as easy as to first look at the covers of the books you’ve read and see if those accurately reflect what’s on the inside. Does the cover grab your attention? Does it pique your curiosity?

Anything else you’d like to say about your book?

It goes without saying that I hope your readers will buy this book and that they are ready for an emotional rollercoaster ride. I will leave you with two of the more than two dozen reviews that have already been posted on Amazon and Goodreads:

“It was such a sweet, slow-burn kind of romance that really hit me in the feels. It’s set in this cozy little coastal town—I mean, the kind of place you daydream about running away to when life gets too loud. The writing has this calm, almost poetic rhythm, and the way the Salish Sea is described? Ugh, dreamy. The love story isn’t flashy or overly dramatic—it’s mature, tender, and just real. I loved how the characters weren’t perfect; they’re a little bruised, a little weathered, like actual people in their 30s or 40s trying to figure it all out. And the community feel? Don’t even get me started. It made me want to pack up my Subaru and go find a sleepy little bookstore by the water. If you’re into Hallmark vibes with a bit more depth and a lot more heart, this one’s a quiet gem. Highly recommend with a cup of tea and a rainy window ~Grace Eliot

"Poignant, Powerful, and tender. Like Driftwood On The Salish Sea is more than a romance, it’s a masterclass in emotional storytelling. Mitch & Jess will stay with you long after the final page.” ~Tae Keller award winning author

Like Driftwood on the Salish Sea is available at Amazon.