Showing posts with label murder mystery. Show all posts
Showing posts with label murder mystery. Show all posts

Thursday, September 16, 2021

An Excerpt from Rosemary and Larry Mild's Mystery 'Death Rules the Night'


Genre: 
Mystery

Website: http://www.magicile.com


Publisher: Magic Island Literary Works

Find out more HERE.

About the Book:
 

In Death Rules the Night, the fourth Dan and Rivka Sherman mystery, Rosemary and Larry Mild deliver a smart, suspenseful tale that will keep readers spellbound.

 

About Death Rules the Night: Reluctant sleuths Dan and Rivka yearn for a tranquil life as owners of The Olde Victorian Bookstore in Annapolis, Maryland. When copies of a tell-all book on the prominent Atkins family go missing from the bookstore, from all the local libraries, and even from the author’s bookshelves, Dan wants to know why. But the price of “why” brings threats, stalking, break-ins—and a brutal murder. He and Rivka fear for their lives.

 

The Atkins family secrets are weaving a sinister web. Tom Dwyer, a retired truck driver, is ready to confess to a crime that he and Frank Mulhaney, another driver, committed twenty years ago. Frank plots revenge on Tom. Bookstore clerk Ivy hears ugly gossip aimed at derailing her wedding. Will the family secrets finally see the light of day? And will the killer ever be caught?

 

Death Rules the Night is a tightly woven, cleverly plotted tale with an irresistible cast of characters—including Lord Byron, the wily bookstore cat who springs his own surprise.

 


About the Authors:


ROSEMARY AND LARRY MILD, cheerful partners in crime, coauthor mystery, suspense, and fantasy fiction.  Rosemary and Larry have published award-winning novels, short stories, and essays. They co-authored the popular Paco and Molly Mystery Series; Hawaii adventure/thrillers Cry Ohana and Honolulu Heat; and three volumes of short stories, many of which appear in anthologies. After forty-plus years in Maryland, the Milds currently make their home in Honolulu, where they cherish time with their daughter, son-in-law, and grandchildren. 

 

ROSEMARY, a graduate of Smith College and former assistant editor of Harper’s, also delves into her own nonfiction life. She published two memoirs: Love! Laugh! Panic! Life With My Mother and the acclaimed Miriam’s World—and Mine, for the beloved daughter they lost in the terrorist bombing of Pan Am 103 over Lockerbie, Scotland. On her lighter side, Rosemary also writes award-winning humorous essays, such as failing the test to get on Jeopardy; and working for a giant free-spending corporation on a sudden budget: “No new pencil unless you turn in the old stub.”  


LARRY, who was only called Lawrence when he’d done something wrong, graduated from American University in Information Systems Management. In 2019 he published his autobiography, No Place To Be But Here: My Life and Times, which traces his thirty-eight-year professional engineering career from its beginning as an electronics technician in the U.S. Navy, to a field engineer riding Navy ships, to a digital systems/instrument designer for major Government contractors in the signal analysis field, to where he rose to the most senior level of principal engineer when he retired in 1993.


Making use of his past creativity and problem-solving abilities, Larry naturally drifted into the realm of mystery writing, where he also claims to be more devious than his partner in crime and best love, Rosemary. So he conjures up their plots and writes the first drafts, leaving Rosemary to breathe life into their characters and sizzle into their scenes. A perfect marriage of their talents.


THE MILDS are active members of Sisters in Crime where Larry is a Mister in Crime; Mystery Writers of America; and Hawaii Fiction Writers. In 2013 they waved goodbye to Severna Park, Maryland and moved to Honolulu, Hawaii, where they cherish quality time with their daughters and grandchildren. When Honolulu hosted Left Coast Crime in 2017, Rosemary and Larry were the program co-chairs for “Honolulu Havoc.”


Over a dozen worldwide trips to Japan, China, Australia, New Zealand, Thailand, Cambodia, Burma, Great Britain, France, Italy, Israel, Egypt, and more have wormed their way into their amazing stories. In their limited spare time, they are active members of the Honolulu Jewish Film Festival committee, where Larry is the statistician and recordkeeper for their film ratings.  


Connect with the authors on the web:

https://www.magicile.com

https://www.facebook.com/rosemary.mild.1

https://www.linkedin.com/in/rosemary-mild-930



Brother and Sister

 from Death Rules the Night by Rosemary and Larry Mild


Cora drove her bright green Mercedes SL Class convertible up to the Annapolis Waterfront Hotel entrance and turned the car over to a young, good-looking valet parker, who tried unsuccessfully to flirt with her. Inside the lobby, she ignored the reception desk and headed straight for the elevator. Dressed in a navy business suit, she made her way directly to room 233. She knocked rapidly four times and waited.

“Who’s there?” a deep male voice answered. 

“Your sister.” 

Muddy opened the door and blinked twice. “What the hell are you doing here?” 

“That’s no way to greet your sister. Aren’t you going to invite me in?” 

“Sister schmister. What the hell are you up to? You’re not one to make social calls, especially not to me. Out with it, woman. You must want something from me.” 

“Of course not, dear brother. It’s just that I hadn’t heard from you in several days, and I wanted to thank you for handling the movers at the old house. It sure made our lives a lot easier on moving day. At first, I wondered why you volunteered, but then I realized that you were just being nice.” 

“Meaning you thought I was acting out of character?” he asked. His sarcastic tone was not missed. 

“Don’t get me wrong, Muddy. Motive aside, you were appreciated. Now, if you don’t mind, I’d like to come in and sit down.” 

“Of course, my manners seem to be malfunctioning today.” His hand swept through a healthy arc, showing her the way in. 

Cora took a seat in front of the wide glass sliding doors. The expanse revealed a view of the Annapolis City Dock and its famous Ego Alley, a tiny harbor inlet where boat owners paraded their floating prides and joys during the summer season. Muddy sat down on the bed opposite her and tried to analyze her real reason for coming. 

“Yeah, I was just being nice.” He sounded as though even he wasn’t convinced of his own generosity. Her gratitude didn’t sound right to him. She hasn’t any idea that I really needed time in the empty house to seal off the secret room from the new owners. 

“Muddy, I know you were opposed to Rae selling the house, but Daddy left it to her, and she should be free to do with it as she pleases. I believe she sold it for money to support her writing career.” 

“Rae should’ve asked each of us whether we wanted to buy it beforehand,” he complained. “She never asked me. That’s why I’m so pissed at her.” The old buzzard could have left something for his only son. The house would have been nice—even a partnership, so I could have blocked any sale. 

“I didn’t know you wanted to buy the house,” said Cora. “Were you able to save that much dough serving in the Merchant Marines all this time?” The Merchant Marines pays well, but not that well, she thought. 

“No, but one of you sisters might have wanted to keep it—maybe turn it into a bed and breakfast or something.” He admitted to himself, No way I could have saved that much, even if I’d behaved and avoided spending the lion’s share on whisky, waste, and whores. 

“I have no interest in that sort of thing,” said Cora, “and Gloria certainly couldn’t handle a project like that. No, Rae did the right thing in selling it. There are far too many rooms to clean and take care of without maintaining an expensive household staff.” 

“But our house has been in the family since colonial times,” Muddy protested, “and I don’t want to see strangers living in it.” Ordinarily, I wouldn’t give a crap. 

“I didn’t know you felt that way,” she said. “You’ve never taken any interest in the family history before.” The sonofabitch is lying. What’s his motive? 

“There’re a lot of things you don’t know about me,” declared Muddy. 

“I’m sure there are, but one thing is nagging at me.” 

“What’s that?” 

“Why are you so suddenly interested in Daddy’s book?” 

“Who says I am?” 

“It’s kind of obvious. I hear you’ve been following Dan Sherman, that bookseller, all over the place ever since he borrowed Daddy’s manuscript from Rae.” 

“Damn it. You’ve been talking to that Sherman guy, haven’t you?” 

“Maybe,” she admitted. “But why are you following him around otherwise?” 

“That’s my business—and you’d better stay out of it if you know what’s good for you.” He hadn’t meant to voice an ugly threat; it just spilled out. 

“What are you trying to hide, little brother?” Now I’ve got him, she thought. 

“That also is my business, not yours.” The bitch is getting too close. 

“I’ll bet dollars to donuts it has something to do with the house. Doesn’t it, Muddy dear?” 

“You’re all wrong, Cora. You couldn’t be more wrong.” Too damn close. 

“Ah! Perhaps you protest way too much, little brother.” 

“Now you’re getting much too obnoxious, I think you ought to leave.” 

“Why, Muddy? Am I getting too close to the truth?” 

“You wouldn’t know the truth if you stepped in it. Now get the hell out of here before I throw you out.” 

Cora stood and walked toward the door. As she passed him, he reached out and pinched her hard on the rump. It was his way of curbing his frustration—a way of having the last word. She spun around and slapped him—a stinging blow across the face in one swinging action. Stunned for only a few seconds, he returned an even stronger slap. She ran out the door in tears, the left side of her face wearing a red mark half the size of his hand. It smarted now, but later, it would turn sore, black and blue. She had failed to get Muddy to admit to anything, but she thought she knew what he might be hiding.


Tuesday, March 1, 2016

Mystery Author Tj O’Connor Talks about the Cover for 'Dying to Tell'



Tj O’Connor is the 2015 Gold Medal Winner of the Independent Publishers Book Awards (IPPY) for mysteries and the author of Dying To Know, Dying For The Past, and Dying To Tell. Tj is an international security consultant specializing in anti-terrorism, investigations, and threat analysis—life experiences that drive his novels. With his former life as a government agent and years as a consultant, he has lived and worked around the world in places like Greece, Turkey, Italy, Germany, the United Kingdom, and throughout the Americas—among others. He was raised in New York's Hudson Valley and lives with his wife and Labrador companions in Virginia where they raised five children. Dying to Know is also a 2015 Bronze Medal winner for the 2015 Reader’s Favorite Book Review Awards, a Finalist for both the 2015 Silver Falchion Award and the Foreword Review’s 2014 INDIEFAB Book of the Year Award.

Connect with Tj on the Web:
·       Website: www.tjoconnor.com
·       Blog:  http://tjoconnorbooks.blogspot.com/
·       Twitter @Tjoconnorauthor
Interview:
Tell us about your book! What is it about and what inspired you to write it?
Dying to Tell is the third book in my series, the Gumshoe Ghost. Stop here. I hate that moniker but my publisher, Midnight Ink, liked it. The stories follow Oliver “Tuck” Tucker, a dead detective—yes dead detective—as he solves murders and unravels secrets from his own family past. Tuck was killed in the opening of Book I, Dying to Know, and returned to solve his own murder. Unbeknownst him, he’s back for more than his own problems. He has a skill, if you will—he can work with the living and commune with the dead. And the dead have a lot to say—especially those seeking justice for themselves. Dying to Tell finds Tuck investigating the murder of a reclusive banker, William Mendelson, who has his own secrets chasing him from World War II Cairo, Egypt. Mendelson was involved in some Nazi subterfuge and it’s taken decades to catch up to him. Each of the stories has three elements: a traditional murder mystery, a historical subplot, and Tuck’s own family lore. Tuck never knew his family—he was raised in foster care—and he’s learning along the way that being dead and back amongst the living is not coincidental. Nor is it unique. He’s always aided by a dashing and daring relative—a prohibition gangster, World War II OSS Operative, a cold war spy...
And nothing is as it seems in Winchester, the center of the series’ capers. I was inspired for this book, and the entire series, based on my own experiences and adventures. I’m a former government anti-terrorism agent and now a security consultant. I’ve lived and worked around the world in places most only read about in books. So now, I write stories based, in part, on some of these adventures.  The entire series was born from a 20 year nightmare that haunted me—literally—for years following my work in the first Gulf War. I dreamt I was killed during an operation and came back to earth to find my killers and get justice.  After telling my daughter, Jean, about the nightmare, she begged me to write it as a murder mystery. I did, and landed my agent and first book contract as a result.
Tell us about your publishing process. What was it like? Did you go indie or the traditional way?
I am traditionally published right now. I do so because of my agent Kimberley Cameron. We are, however, exploring indie publishing for future work. The process is painful sometimes and rewarding at other times. I lost a lot of control when we went with my publisher and some of that cost me. I do not like my book covers, back cover copy, or some of the summaries they’ve put out on Amazon and others. But, they are great people and I enjoy a good relationship with them, in particular my editor, Terri B. I am thrilled and thankful that they gave me my first contract. In future work, Kimberley and I will always seek traditional publishing first. But, if she believes in my book and can’t find a taker in the traditional presses, then we’ll go indie. Either way, as long as Kimberley is in my corner, my stories will see print!
How did you choose the title for your book? Did it come to you right away, before you started writing the story, or did it come later?
Titles are important to me. I even fought for them with my publisher. In the case of this series, the titles are very telling. The first book, Dying to Know, literally and figuratively explains Tuck’s—my lead character—entire theme. There’s a murder. There’s a historical reason behind it. And he’s Dying To Know the answers and who killed him. In Dying for the Past, Book II, the murder of a mysterious philanthropist begins a series of murders and other crimes that are all based on the hunt for “The Book,” the journal of a 1939’s gangster who kept notes of all the cooked politicians, spies, and gangsters going into World War II. So everyone in Winchester in 2015 is being killed off because of events in 1930—They’re literally Dying For The Past. And so goes Dying to Tell. William Mendelson is murdered after he decides to tell the secret behind his World War II misadventures in Cairo, Egypt. Unfortunately, those secrets involved more than just him. In doing so, his telling got him—and others—killed. Every was Dying To Tell.
Tell us about the cover design process. Did you have a basic idea of what your book cover would be like?
This is a painful topic. I did have cover ideas but my publisher went with these cartoonish covers often found on cozy mysteries. First, my series is sold as a cozy but it also has a lot of not-coziness to it. I was looking for something more symbolic and less R.L. Stine. I lost. In the many, many reviews I’ve received—both formal and informal—the covers always come up. It’s split about 75% don’t like them, and 25% do. But that’s from those who read the books. I’ve received lots of emails and comments from folks saving that they would not have bought it because of the cover. But after reading reviews, or speaking with me, or for some other reason, did read it and loved it. The cover, however, seems to be my biggest weakness. 
Who is your cover designer and how did you find him/her?
It is done through my publisher. I had no vote in the process. No, no, I’m not upset about it … not much.
What has been the readers’ response to your cover?
See Above. 75% of my readers don’t like the cover. As I said, many told me they wouldn’t have bought it because of the cover and only did after either speaking with me, getting a recommendation, or seeing the reviews and hearing the story line.
What tips would you give to authors who are looking for a cover designer?
Unfortunately, I cannot comment on personal experience. I do know many authors who get their own indie press or self-publishing done and find their own designers. I am a lucky one for future books, though. My brother-in-law is a wiz graphics designer and I’ll lean on his expertise to find good covers. My advice to anyone looking for cover art is to ask other authors and get recommendations. There’s entire industry rising up to support indie and self-publishing.
Anything else you’d like to say about your book?
Mystery, history, and mayhem—all with a paranormal twist. Some laughs, some tears, and lots of dead bodies. What more could you want?