Authors often have a lot less control over cover design than
many people think. I've gotten lucky with my three books in that my publishers
have wanted my thoughts and input, and actually listened to them.
For my first book, Bones
Buried in the Dirt, I had a concept of an image but not an exact image to
use. I explained my idea to my publisher, what I was thinking and exactly what
I wanted it to convey and how, and she went out and found the perfect image to
license. I was very happy and she made sure of that before going forward.
My second book, The
Garden of Good and Evil Pancakes, was similar. I had less of a concept in
mind already, but I talked with the publisher about what I wanted it to convey
and we came up with an idea. Then he actually commissioned an artist to do an
oil painting of it. The artist did several mock up pictures, letting my
publisher and I make comments and suggestions before we finally approved. Only
then did the artist do the oil painting. Again, my publisher made sure I was
happy before we finalized.
For this book, Not
Quite so Stories, I wasn't entirely sure what I wanted to do. A short story
collection is a lot harder to capture in an image than a novel with a single
story. I told my publisher I wanted something that conveyed the essential
essence of the stories, the absurd 'something' that's off from normality in
each and functions as the focus around which the stories operate to explore how
the characters deal (and/or fail to deal) with the absurdity of the world. I
thought perhaps of a chaotic scene involving a bunch of objects/characters from
the stories (such as the killer teddy bear from "60% Rayon and 40% Evil,"
the cymbal monkey from "Monkey! Monkey! Monkey! Monkey! Monkey!," the
orange from "Cents of Wonder Rhymes With Orange," and so on). Then
she employed a cover designer named Ruth M'Gonigle to see what she came up
with. Ruth's design was very different from what I'd been thinking, but it
conveyed what I was going for in such an elegantly minimalistic way that I
couldn't conceive of any other cover.
I mean, the simple title in alternating black and white text
on a teal-ish background…it seems so normal. Then the quiet way that the
"SO" is cut in half, sliding off on the top, it perfectly captures
that 'something off' in each of the stories. I loved it, and she only needed to
show me one draft idea before we both jumped at it. Ruth M'Gonigle is a star at
cover design.
About the Author
David S. Atkinson
is the author of "Not
Quite so Stories" ("Literary Wanderlust" 2016), "The
Garden of Good and Evil Pancakes" (2015 National Indie Excellence
Awards finalist in humor), and "Bones
Buried in the Dirt" (2014 Next Generation Indie Book Awards finalist,
First Novel <80K). His writing appears in "Bartleby Snopes," "Grey
Sparrow Journal," "Atticus Review," and others. His writing
website is http://davidsatkinsonwriting.com/
and he spends his non-literary time working as a patent attorney in Denver.
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